The Karenina Chronicles: “An Unforgettable Heroine and a Rich World of Characters”

⭐⭐⭐⭐⭐ Reviewed by Demetria Head for Reader Views 

The Karenina Chronicles is book five in the Waterspell series but can easily be read as a standalone tale. This is a fantasy adventure that covers not just expansive worldbuilding, but also personal losses and healing. The story takes place in the Waterspell universe. Readers get to follow Lady Karenina of Ruain. After her husband passes, she takes a journey to an unfamiliar place. It starts as just an attempt to outrun grief, but it becomes her way to find her identity and purpose.

The Karenina Chronicles: A Waterspell Novel by Deborah J. Lightfoot

As the story begins, Nina has spent a great deal of her life wielding immense power, but now she questions everything. She teases her younger brother Dalton while they are aboard a ship on the waters of Ladrehdin. She is a seasoned water mage and a widow. But she is also a mother and a traveler. When she leaves her home, where it is safe, she ends up in the South Country and finds herself faced with things way more unsettling than any enemy.

Lightfoot’s novel stands out for a number of reasons. There is a perfect contrast between Nina’s strengths and her vulnerability. Early on in the story, she shows her skill and confidence by dispatching a would-be attacker with her sling. But later, we see her full of doubt about her future, her purpose, and her magical abilities. It makes her relatable on a human level to readers. One moment in particular that was memorable was when she attempted to summon water, but her power did not respond. This is something she has done many times before. So, this scene actually marks a turning point for her as a woman trying to get through life after loss. I also appreciated the fact that Nina was not at all painted as this perfect heroine. She had compassion and wisdom, but she also had her occasional flaws.

I love how the author reveals character through some very meaningful encounters. It did not matter if Nina was helping a desperate mother in poverty, sharing a story around a campfire, or reflecting on family memories. Each of her interactions deepens the world Lightfoot has created. While the action scenes were impactful, these softer moments were equally impactful, if not more. I appreciated the worldbuilding as well. It was immersive, but it never overwhelmed the story. For example, the South Country’s scrublands, the coastal ports, and the isolated settlements made me feel like I lived there. Throw in the characters with struggles and aspirations, and it adds the perfect texture to the whole narrative.

There were quite a few interesting characters besides Nina. Dalton, her brother, played an important role in moving the story along. He also has a role as a responsible steward and weather mage. This contrasts well with Nina’s wanderlust and impulsiveness. It’s through Dalton that readers learn so much about Nina’s family history as well as the Ruain culture. Then there is Tilda in Easthaven and Dalton’s romantic interest. She adds humor and warmth to the story. Her role is brief, but she helps connect the important threads of the story. Isobel is the struggling mom who suffers through poverty. She is devoted to her children, and her part of the story just makes it emotionally powerful. Other characters I found rather interesting included Willow, who is the wife of Legary. She is the town’s wisewoman, also. She bonds with Nina and serves as a friend and confidante. Legary is in Granger, and readers will soon find out who he is and why Nina traveled there to see him. He is a talented stonemason and adds humor to the story. Corlis is mysterious and not fully understood. Legary has his concerns about leaving Nina in his care. His character creates a mystery and adds anticipation to the narrative. I loved the wolf that becomes more than just an animal companion. Nina’s relationship with this creature actually creates some of the most atmospheric scenes in the book.

Some of my favorite scenes that stood out for me were seeing Nina and Willow work as healers. Nina accompanies Willow on her healing visits, and this adds another layer of richness to the worldbuilding. But this scene is not just about magic and healing. It also showcases community, caregiving, and the quieter ways that people help each other. Another scene that stood out was surrounding Corlis. When he is introduced, it creates the novel’s strongest suspenseful threads. I was just as uncertain and suspicious of Corlis as Legary was. The journey into the wilderness was another standout moment for me. This combined physical danger and emotional reflection. This journey also seems to test Nina’s resilience and forces her to think about who she is becoming.


At a Glance: A character-driven fantasy adventure about a widowed water mage whose journey through unfamiliar lands becomes a path toward renewal. The story blends magic, grief, healing, family ties, and atmospheric wilderness travel.

— Demetria Head, Reader Views 

5-Star Review

Reader Views 5-Star Review Award for The Karenina Chronicles by Deborah J. Lightfoot

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Adverse Reactions: “Equal Parts Western, Dystopian, and Paranormal”

Editorial Review by The Lit Credence

Some stories explore extraordinary powers. Others explore the cost of being different. Adverse Reactions successfully does both, delivering a gripping blend of paranormal suspense, dystopian fiction, and Weird West atmosphere while placing its emotional weight squarely on resilience, identity, and justice. Drawing on a haunting premise, Deborah J. Lightfoot crafts a world where psychokinetic abilities are treated as a crime, and fear is weaponized into persecution.

ADVERSE REACTIONS: A Novel of the Paranormal by Deborah J. Lightfoot

At the heart of the novel is Devin Perridin, a protagonist whose greatest battle isn’t simply against those who hunt her—it is against the psychological scars left by institutional cruelty. After surviving the horrific “treatments” of the Peaceful Hills sanatorium, Devin’s journey becomes one of reclaiming not only her abilities but also her sense of self. Her transformation from broken survivor to determined force of resistance gives the novel its strong emotional foundation.

Lightfoot also excels at creating a distinctive setting. The prairie landscapes, hidden ranches, outlaw figures, and lingering traces of Old Magic create an atmosphere that feels equal parts Western, dystopian, and paranormal without allowing any single genre to dominate. The cinematic descriptions make many scenes easy to visualize, while the steady tension keeps the narrative engaging throughout.

Beyond the action, the novel raises meaningful questions about prejudice, conformity, and the dangers of allowing fear to justify oppression. Rather than becoming overly preachy, these themes emerge naturally through Devin’s experiences and the morally complex characters surrounding her. Supporting characters such as Jack and Angelina provide warmth and balance, while others challenge Devin’s beliefs about revenge and justice, adding depth to the story.

While some readers may find the opening chapters slower as the world and Devin’s trauma are established, the pacing gains considerable momentum once the central conflict unfolds. From there, the novel delivers suspense, emotional growth, and satisfying character development that reward patient readers.

⭐⭐⭐⭐⭐

This editorial review reflects the independent professional opinion
of The Lit Credence editorial team.

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Affordable Legitimate Book Promotion: Written Word Media vs Book Cave

I try to place at least one promotion per month in a newsletter or email such as Book Barbarian, Fussy Librarian, Robin Reads, or the Freebooksy or Bargain Booksy options at Written Word Media. As a service to my fellow and sister authors, I make an annual report on the results. (Details here, with clickable links to the various book-promo sites that I’ve used.)

On April 8, 2026, I ran a series promotion with Written Word Media, at a cost of $170. As shown in the graphic, that promo resulted in 601 book orders for my Waterspell series at Amazon, the majority of those (469) coming on the actual day (a Wednesday) of the “one-day” promotion. But experience has taught me that many people don’t open their emails until a day or two after the promo runs. The five-day cumulative numbers give a truer picture of the promo’s relative success. After the initial first-day flurry, another 132 orders were placed over the next four days, bringing the five-day grand total to 601.

Book promotion sites: Written Word Media vs. Book Cave

Then I ran a full-series promotion (for the six books of Waterspell) at Book Cave, a place I have only recently discovered. Unlike Written Word Media, which offers one-day full-series promotions, you can schedule a multi-day promo at Book Cave at no extra cost for the extra days. My series promo ran from May 30 through June 7. And though it cost only $71, it delivered results very comparable to what Written Word Media had brought in: 577 total orders at Amazon, the majority of them (469 again, seemingly the magic number) coming on May 30–31 (Saturday–Sunday) and the rest (108) trickling in toward the tail-end of the promo period. For epic fantasy with a series add-on, Book Cave charges a cool $99 less than Written Word Media does. See the Cave’s price list here.

Granted, this is only my first experience with Book Cave. I’ve been running full-series promos at Written Word Media for several years, and it’s quite possible that their subscribers have seen my books featured so many times, they scroll past and look for newer titles. But to save $99, I will definitely choose the $71 promo at Book Cave the next time I want to promote my entire six-book series at one time in one place.

For those wanting to dig into this topic in greater detail, I’ll refer you to my earlier posts on my book promo efforts. From these reports, you’ll learn what promo sites I’ve used, and how successful (or not) they have been, at a cost of $45 to $65 at most of the sites I have tried:

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The “Alice” Books and Waterspell: How They Connect

Writers are often told to write what we know. Thus, it is not surprising that many authors choose to write about books and the people who love them.

The Book Thief by Markus Zusak tells of a girl who steals the things she can’t resist—books. The hero of Michael Ende’s The Neverending Story becomes a character in the mysterious book he is reading. In When You Reach Me by Rebecca Stead, the protagonist relies upon her favorite book, Madeleine L’Engle’s A Wrinkle in Time, as a kind of “life compass.”

Pool of Tears

Following in that tradition, Lewis Carroll’s Alice books appear “as themselves” in my Waterspell books. My heroine, Carin, first encounters Through the Looking-Glass (TTLG) and discovers that the book holds within it a powerful weapon that only she can wield. Later, Carin gets her hands on a copy of Alice’s Adventures in Wonderland (AAIW) and continues to find veiled connections between the Carrollian world and her own perilous situation.

As an enthusiastic fan of Martin Gardner’s The Annotated Alice, I like to imagine how the late Mr. Gardner might annotate the Waterspell series as he picked up on my novels’ subtle homages to the Alice books. I think he would remark on the reversed order in which Carin encounters the books. Lewis Carroll wrote AAIW first, then TTLG some years later. Throughout TTLG, things “go the other way,” so it is appropriate (as well as necessary to the plot of Waterspell) that Carin reads the books “the other way”—second book first.

Another play on the “other way” can be seen in the spelling of the names of the two leading ladies. “Alice” is vowel-consonant-vowel-consonant-vowel, while “Carin” (also five letters) is consonant-vowel-consonant-vowel-consonant.

The names of things are important in the Waterspell books. In AAIW, the dormouse speaks of drawing all manner of things that begin with the letter M. I don’t doubt that Martin Gardner would notice the characters in Waterspell whose names start, like his, with M: among them Myra, Megella, and Merriam.

And on it goes. In Waterspell Book 3: The Wisewoman, Carin is required to travel under an alias. What name does she choose for herself? Alice, of course.

In no way, however, are the Waterspell novels a retelling of the Alice books. Though there are analogies—Carin’s reflective “mirror pool” recalls Alice’s looking-glass—my story follows its own unique trajectory. To capture the gist of Waterspell, one might say it’s “Jane Eyre meets a sorcerer.” The relationship between my main characters is reminiscent of the stormy sparring between Jane and Rochester. Waterspell is a story that young adults can enjoy, but it’s really aimed at an older audience. Though an Alice motif runs deep in my series, Waterspell is no more a “children’s book” than is The Hunger Games or Philip Pullman’s epic trilogy of fantasy novels, His Dark Materials. My characters encounter great danger, violence, murder, and betrayal.

 ~~~~~

Waterspell fantasy series by Deborah J. Lightfoot

“One of my all-time favourites. The Waterspell series shines in its character development. Readers are introduced to a diverse cast of deeply human, flawed individuals shaped by their pasts—whether through jealousy, grief, or a yearning for freedom. These aren’t flaws added for drama’s sake, but natural consequences of their lived experiences. The changes they undergo are gradual and organic, evolving over the course of the series. If you enjoy slow-burn narratives and meaningful arcs, you’ll appreciate how the story handles growth and transformation. I’d even consider this an ʻenemies-to-lovers’ romance, though it takes three books for that dynamic to fully develop. Patience is key—but it’s worth the wait. Ariel The Tempest

“In this four-book saga, the author has created an epic fantasy world full of magic, danger, romance, and travel through time and space. The characters are vivid and complex, including a young woman on a hero’s quest, and a powerful warlock who isn’t sure whether to kill her or embrace her. This is a most enjoyable read for fans of fantasy and fine writing.” Shirley, NetGalley

“A must-read for fantasy enthusiasts who enjoy immersive world-building, well-developed characters, and a storyline that seamlessly blends magic and human emotion.” —Dalton S, NetGalley

 

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Richard Russo: “The writing life is ours to defend.”

Note: Richard Russo wrote this Open Letter in December 2013. Everything he warned about, then, has come to pass. The writing life is endangered by the downward pressure of e-book pricing, by the ongoing erosion of copyright protection, by the scorched-earth capitalism of Google and Amazon, by those who believe art should be cheap or free, and by internet search engines that direct people to sites selling pirated books. Even the single glimmer of hope that Mr. Russo offered in 2013—that Apple, Google, Amazon, Netflix, et al., need writers to provide them with content—is no longer the case. Mega-corporations now use artificial intelligence to churn out “content” for free or cheap. Mr. Russo’s conclusion, however, remains as valid now as when he wrote this letter:

The imaginative lives of us all will be diminished if authorship becomes untenable as a profession.


From Richard Russo:
An Open Letter to My Fellow Authors


It’s all changing, right before our eyes. Not just publishing, but the writing life itself, our ability to make a living from authorship. Even in the best of times, which these are not, most writers have to supplement their writing incomes by teaching, or throwing up sheet-rock, or cage fighting. It wasn’t always so, but for the last two decades I’ve lived the life most writers dream of: I write novels and stories, as well as the occasional screenplay, and every now and then I hit the road for a week or two and give talks. In short, I’m one of the blessed, and not just in terms of my occupation. My health is good, my children grown, their educations paid for. I’m sixty-four, which sucks, but it also means that nothing that happens in publishing—for good or ill—is going to affect me nearly as much as it affects younger writers, especially those who haven’t made their names yet. Even if the e-price of my next novel is $1.99, I won’t have to go back to cage fighting.

Still, if it turns out that I’ve enjoyed the best the writing life has to offer, that those who follow, even the most brilliant, will have to settle for less, that won’t make me happy and I suspect it won’t cheer other writers who’ve been as fortunate as I. It’s these writers, in particular, that I’m addressing here. Not everyone believes, as I do, that the writing life is endangered by the downward pressure of e-book pricing, by the relentless, ongoing erosion of copyright protection, by the scorched-earth capitalism of companies like Google and Amazon, by spineless publishers who won’t stand up to them, by the “information wants to be free” crowd who believe that art should be cheap or free and treated as a commodity, by internet search engines who are all too happy to direct people to on-line sites that sell pirated (read “stolen”) books, and even by militant librarians who see no reason why they shouldn’t be able to “lend” our e-books without restriction. But those of us who are alarmed by these trends have a duty, I think, to defend and protect the writing life that’s been good to us, not just on behalf of younger writers who will not have our advantages if we don’t, but also on behalf of readers, whose imaginative lives will be diminished if authorship becomes untenable as a profession.


I know, I know. Some insist that there’s never been a better time to be an author. Self-publishing has democratized the process, they argue, and authors can now earn royalties of up to seventy percent, where once we had to settle for what traditional publishers told us was our share. Anecdotal evidence is marshaled in support of this view (statistical evidence to follow). Those of us who are alarmed, we’re told, are, well, alarmists. Time will tell who’s right, but surely it can’t be a good idea for writers to stand on the sidelines while our collective fate is decided by others. Especially when we consider who those others are. Entities like Google and Apple and Amazon are rich and powerful enough to influence governments, and every day they demonstrate their willingness to wield that enormous power. Books and authors are a tiny but not insignificant part of the larger battle being waged between these companies, a battleground that includes the movie, music, and newspaper industries. I think it’s fair to say that to a greater or lesser degree, those other industries have all gotten their asses kicked, just as we’re getting ours kicked now. And not just in the courts. Somehow, we’re even losing the war for hearts and minds. When we defend copyright, we’re seen as greedy. When we justly sue, we’re seen as litigious. When we attempt to defend the physical book and stores that sell them, we’re seen as Luddites. Our altruism, when we’re able to summon it, is too often seen as self-serving.


But here’s the thing. What the Apples and Googles and Amazons and Netflixes of the world all have in common (in addition to their quest for world domination), is that they’re all starved for content, and for that they need us. Which means we have a say in all this. Everything in the digital age may feel new and may seem to operate under new rules, but the conversation about the relationship between art and commerce is age-old, and artists must be part of it. To that end we’d do well to speak with one voice, though it’s here we demonstrate our greatest weakness. Writers are notoriously independent cusses, hard to wrangle. We spend our mostly solitary days filling up blank pieces of paper with words. We must like it that way, or we wouldn’t do it. But while it’s pretty to think that our odd way of life will endure, there’s no guarantee. The writing life is ours to defend. Protecting it also happens to be the mission of the Authors Guild, which I myself did not join until last year, when the light switch in my cave finally got tripped. Are you a member? If not, please consider becoming one. We’re badly outgunned and in need of reinforcements. If the writing life has done well by you, as it has by me, here’s your chance to return the favor. Do it now, because there’s such a thing as being too late.

Richard Russo
December 2013

Richard Russo’s 2001 novel Empire Falls received the 2002 Pulitzer Prize for Fiction.

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Heralds in Fantasy Literature

Heralds, in their original and simplest form, were messengers. In fantasy literature, a herald often brings the message or in some other way triggers the events, sets the events in motion.

In The Hobbit, for example, Gandalf is the herald, or the trigger, that sends Bilbo Baggins off on his grand adventure.

In my Waterspell series, Carin is the herald. Her showing up on the property of the wizard named Verek sets the story action into motion. In effect, she will send Verek off on a quest—and she will participate fully with him on the quest, similar to how Gandalf sets Bilbo into motion and also plays his great role in the events of that story.

But behind Carin in my story, there’s another herald: the character who sets Carin into motion. The events actually begin with that original herald, who is described in Books 1 and 2 as simply “the wisewoman.” Readers won’t know the wisewoman’s whole story until they get to Waterspell Book 3. Immediately at the start of Book 1, however, even before we formally meet Carin in Chapter 1, we see evidence that she’s not acting entirely of her own free will. We learn that the wisewoman has sent her to the wizard Verek.

One thing that complicated the writing of Book 1, Chapter 1, is that I needed to at least hint that Carin isn’t really sure what her goal is, why she’s come north, or what she’s supposed to do when she gets there. She only knows—or she feels, deep in her gut—that she has to be there.

In effect, she’s under a spell—a spell of compulsion. She thinks she’s acting of her own free will, but if she were pressed to explain her motives, she would be hard put to do it. This becomes clearer in Chapter 3, when Verek presses her about her reasons for trespassing on his property. Her explanations don’t satisfy him, and they will—I hope—deepen the sense of mystery that surrounds Carin.

My challenge with Chapter 1 is that many “mainstream” readers expect the main character’s goals and motivations to be clearly laid out right at the start. That’s what they have been taught to expect.

Experienced readers of fantasy, however, will understand that motives and circumstances are often quite murky as the story opens. In Philip Pullman’s The Golden Compass, for instance, the main character, Lyra, has no problem whatsoever as the story opens. She’s having fun. She’s exploring a forbidden part of the college where she lives, and she’s enjoying herself. The big problem that she will face does not become clear for a very long time, as the trilogy unfolds.

So what I’ve tried to accomplish with Chapter 1 of my fantasy series is to present Carin as a strong, active, decisive character, but I have also had to hint that she’s been set on this course, this particular path, by forces beyond her control and by circumstances she did not create. She’s being used, quite frankly, but she’s not a pawn.

In a sense, she’s like King Arthur’s sword, Excalibur. He used the sword—only Arthur as the rightful king could wield it—but Excalibur had magical powers of its own. It allowed itself to be used only by the rightful king.

My girl, Carin, very definitely has a say in how she’s being “used” by the original herald, the wisewoman in the south, and then by the wizard Verek once she follows the wisewoman’s instructions and finds him, up north.

The Book 1 Prologue helps to clarify what’s driving Carin, what her goal is, what problem she must overcome. Here’s an excerpt:

Prologue

The Path Ahead

The wisewoman never asked directly, never demanded of Carin: “Where do you come from, you strange, surprising child? Who are you?” But she breathed her questions in an undertone when she thought Carin couldn’t hear.

Time passed, and the woman watched with shrewd regard, ever wondering. What’s going on, girl, behind those cool green eyes that view the world with such detachment? You’ve borne up patiently these five years, with your gaze cast groundward to hide your thoughts from those who think you have none. Oh, you’re a self-contained little wight, as guarded in your speech as in your glances. You pretend to be indifferent to your past and resigned to your present. But I have seen you puzzling beside the millpond, gazing into its waters, wondering: ‘What brought me here? Where did this journey start, and where do I go now?’

The seasons turned, and at last the wisewoman drew Carin aside. “I have considered carefully. Indeed, child, I have thought of little else. Still I cannot fathom where your journey began. But I clearly see the path that lies before you now.”

The woman did not point. She would not risk drawing anyone’s eye to the pair standing apart. She merely tipped her head, keeping her hand hidden in the folds of her shawls, tightly gripping the amulet she had fashioned against this moment.

“Go north, girl,” she ordered, her gaze locked with Carin’s. “Run from here. You have no home in this village. Granger is much too hidebound and suspicious for the likes of you. Your place is in the North. If you belong anywhere, child, you belong there.”

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Author Websites by BookBub

A complete makeover of my author website has been on my To-Do list for years. I’m well aware that this site (which you have somehow found, gentle reader, if you’re reading this post — thank you!) looks quite dated. Its dimensions are geared toward the smaller desktop screens of yesteryear, and it is NOT optimized for phones and tablets. And the content: Oh my! “What a tangled web we weave!” This site has become a catch-all scrapbook of my bookish enterprises. I have added pages and interlinked them until the whole thing borders on labyrinthian.

I am held back, however, from attempting to change the theme of this WordPress site because I dread the possibility of catastrophically scrambling the whole messy thing. When I read advice about “staging sites” and code snippets, my blood runs cold.

Simply starting over with a new site is probably easier than attempting to update this existing monster. I have made a small start in that direction by accepting BookBub’s offer of a free “Author Pages” website. I won’t pay $10 a month for their “pro” version, but so far their free plan is giving me everything I need:

  • Author Bio
  • Books — descriptions and buy links
  • Social Media links
  • Blog
  • Updates (an example is shown here)
  • Reviews (what they call Praise)
  • Contact page
  • Other Writing — a page for linking to my essays, articles, short stories, etc.

The content that is only available with a Pro plan is nothing that I would consider essential:

  • Events (those could be listed in the Updates section)
  • FAQs (nice to have as a separate page, but the info could be included on the Contact page in its optional “Personal message” section)
  • Media Coverage (could go under Reviews, or in the Blog or the Updates)
  • Press Kit (“Other Writing,” maybe, or worked into the Author Bio)
  • Custom Pages (yikes! Being able to add any number of pages to a website is what led to my current monster in the first place. Having a finite set of pages is more appealing to me.)

I don’t even mind the default address: deborahjlightfoot.author-pages.com. The “author-pages.com” extension is appropriate, and it looks a heck of a lot better than the “ag-sites.net” which is the default for websites hosted by the Authors Guild.

For now, therefore, I plan to slowly expand my free Author Pages site, courtesy of BookBub. Considering how much money I’ve spent with them over the years, running BookBub ads that always have a negative ROI, I figure they owe me a free basic website. Their strategy, I imagine, will turn out to be bait-and-switch: after enough authors have invested enough time and effort in developing their free sites, BookBub will probably discontinue the free plan and try to force everyone to pay $10 a month for the Pro version.

Sorry if that sounds cynical, but there is a vast industry dedicated to separating writers from their money. “Free” generally comes with massive strings attached.

If you have set up a website through BookBub — either Free or Pro — I would love to hear your thoughts. And if you have advice on how to update this aged, bloated website (the site you’re looking at right now) without breaking the thing, please get in touch! I need the help and some hand-holding through the perilous process.

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A Riveting Listen: The Waterspell Audiobook

"My daughter and I are enjoying these great audiobooks on our cross-country drive. I love the narrator! He really brings the words to life." (From a review of WATERSPELL: Boxed Set, Books 1-4 by Deborah J. Lightfoot, narrated by Simon de Deney.

Writers tend to get laser-focused on their latest release, but a solid backlist deserves love, too! I’m super proud of the four-book audio production of my Waterspell fantasy quartet. Narrator Simon de Deney did a masterful job. As this listener notes (see the picture): “He really brings the words to life.” And his ability to voice female as well as male characters is remarkable. Simon embodies the brooding warlock but he also delivers a totally believable young woman who is all bravado on the outside but terrified on the inside. Bravo! 🎉

If you’re planning a road trip this summer — or maybe a staycation, given the current (2026) price of fuel — give this 51-hour epic a listen. It’ll keep you engaged.

📢 1 credit at Audible for all four books.

Also available at other audio retailers with prices starting at $16.95.

WATERSPELL audiobook by Deborah J. Lightfoot, narrated by Simon de Deney. 51 hours of audio. Four books. 1 credit at Audible. Reviewers say: "Fantastic storytelling." "A voice that immerses you in a fantasy world both foreign and familiar. You won't want to leave." "Addictive epic fantasy. 
Five stars."

#waterspell #waterspellseries #waterspellfantasybooks #waterspellboxedset #epicfantasybooks #portalfantasy #heroicfantasy #fantasyadventure #amwritingfantasy #wellwrittenbooks #boxedsets #writingcommunity #readingcommunity #writerslife #authorsofinstagram #bookrecommendations #fantasyauthor #fantasybooks #fantasybookseries #fantasyseries #scifiandfantasy #sffbooks #actionadventurebooks #gothicliterature #readingfantasy #readingfantasyseries #fivestarbooks #audiobooks #audiobooknarrators

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Let’s Make a Movie!

Yes, please! Somebody really should make my novels into movies or miniseries. One of the first editors to ever lay eyes on my Waterspell fantasy saga called it cinematic. A later reader won my everlasting gratitude when he posted this review: “This is up there with the great books of wonder! Would love to see this as a movie. Have spent three days reading each book with hardly any sleep. It’s so enthralling that I would say I was bespelled by each word!” Wow! Thank you from the bottom of my heart. 😍

I agree about the movie. My Waterspell books have a dark, dangerous, mysterious leading man and a brave, headstrong, determined young woman protagonist. The story starts in an isolated manor house in a cursed forest. From there, the quest takes the two main characters across bandit-infested plains, high into snow-capped mountains, and then to the distant shore of another world. It would make a gripping miniseries or even a quartet of movies. There are four Waterspell books, so—logically—four movies.

My newest novel, the standalone Adverse Reactions, is a post-apocalyptic, paranormal, gritty modern Western fantasy. There’s plenty of danger and suspense, with the super-power element of psychokinesis (mental ability to move objects). The characters are complex, refusing to immediately reveal their motives. Are they friend, or are they foe?

The book’s settings will be familiar to filmmakers and moviegoers, but all have a twist. The town on the dusty prairie is called Purity, but it’s built on a river that carries an ominous name: Contagion. The so-called ranch is more of a commune for outcasts. The place has got cowboys, cattle, and horses, but the whole outfit hides deep in rugged mountains, far from town. In another remote part of those mountains, a pseudo-psychiatric facility is a true hellhole, a buried chamber of horrors.

A filmmaker could have a field day (or a franchise) with Adverse Reactions. The book has a Hunger Games vibe. Too bad I don’t know any directors or producers.

If you’ve got Hollywood connections, please drop a few strong hints. There’ll be a finder’s fee in it for you. 🤗

(This piece first appeared as a guest post at Bedazzled by Books.)

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“Where Do You Get Your Ideas?”

Every writer gets asked: Where do the ideas come from?

For many of us, the question is so unanswerable, we can only smile gently and deflect. Have you heard about the warehouse in Poughkeepsie where ideas can be had wholesale, a dime a dozen? (Wink, wink)

Seriously, most writers have no real idea where the ideas come from. Ideas well up from the subconscious, far below the level of awareness. More than once, as I’ve come awake in the morning, I’ve had the entire plot of a book running through my head. It’s a mad dash to the keyboard then, stopping only to grab a cup of coffee before feverishly pounding out the main points of the plot before the whole thing evaporates back into the ether from which it came.

ADVERSE REACTIONS: A Novel of the Paranormal by Deborah J. Lightfoot

That was not the process, however, for Adverse Reactions, my newest book. I have no memory of where the original idea might have come from. It was too long ago: I actually started the book in 2005. I managed 24,000 words of it before I hit a wall. I’d reached the first “plot point”—pivotal moment; major turning point—and I had no clue where things went from there.

So I shelved the manuscript (plopped it into a file cabinet, actually) and went back to writing the epic fantasy that eventually became Waterspell, a saga that grew by three books in 2022–24 to end up as a six-book series—altogether, more than 680,000 words.

Waterspell epic fantasy by Deborah J. Lightfoot

But I never forgot that partial manuscript. I’m not a person who leaves things undone. I’m determined to finish what I start (even if it takes six books and 680,000 words to do it). In 2025, therefore, I pulled that manuscript out of the file cabinet and sat down to read what I’d written 20 years earlier.

What I found in those rough-draft pages—the compelling urgency of it—surprised even me. The story gripped me. I found myself caring deeply about the protagonist and the awful situation she’s in as the story opens.

What was even better, though, was the way my mind leapt ahead when I reached the end of that 24,000-word partial. A score of years earlier, I hadn’t known where the story went. Now I did. The logical and dramatic next steps in the quest for justice were clear.

During those 20 years, I’d done a lot of writing and a lot of living (some of it hard). I’d gained experience, deepened my understanding of people and their motivations, and observed the good and the evil of which humans are capable. All of that living had equipped me to finish the story—to finish what I’d started, and to do it in a way that has been personally fulfilling.

Thank you for reading, and for spreading the word about my cross-genre, post-apocalyptic, paranormal, gritty modern “Western.”

(This piece first appeared as a guest post at K.M. Jenkins’ Book Nook.)

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