Unpacking a shipment of your own new book is a thrill like no other! I’ve had the pleasure of opening a box of my latest, Waterspell Book 4: The Witch, which is now available in print (paperback) and all ebook formats. It looks great, IMO. But I’m biased. Now it’s a waiting game, putting me on pins and needles as I look for the first reviews to come in. I’m sure I could have done more, I could have sent out more Advance Reader Copies, I could have spent more on ads and promotion. But the reality, I know, is that readers won’t care about Book 4 unless they have read and enjoyed the original trilogy.
My promotional efforts, therefore, remain focused on Book 1: The Warlock. It’s featured today, February 18, by BookRaid (with which I’ve enjoyed success previously); and on Saturday, Feb. 19, Bookorium (new to me) promotes it. After that, I intend to run only one ad each month, alternating between BookRaid and The Fussy Librarian (adding Bookorium into the mix, if that one proves successful).
The greater part of my attention must now turn to the two boxed sets: Ebook and audiobook. With Book 4 releasing (singly) in February, does it make sense to release the boxed set of ebooks in April? Is that too soon? Will that schedule give me time to promote the set? Research is needed, along with serious thought. The later in the year, the fewer the months during which the boxed set will carry the 2022 copyright date. With so much emphasis on “new releases,” keeping that 2022 date as fresh as possible, for as long as possible, seems to argue for publishing the boxed ebook set ASAP.
Then there’s the boxed set of audiobooks. Will it be most likely to find an audience during the summer months? Should it be released in May, hard on the heels of the companion ebook set? I think that might be best. But again, I should research and find out when audiobooks sell most strongly: spring, summer, fall, or winter.
Also washing around in the back of my mind are the words of my experienced beta reader, and the suggestions of my audio narrator. Both of them are telling me that I should write more books (or at least novellas) set in the world(s) of Waterspell. Hmm. Should I? Can I?
I think my spring, summer, and winter of 2022 will be busy.
Once upon a time I belonged to an in-person writing critique group. The group gave me valuable advice, and I benefited from participation in it. But times changed, and our lives changed, and the group drifted apart, gradually breaking up, or reformulating itself with new members in a different meeting location. I ceased to participate.
These days, I get feedback via email and text messages from my beta readers and reviewers. I also try to engage with other writers on Goodreads and Instagram. Writing is a lonely profession, but it’s not good to work in too much of a vacuum. Even the most introverted among us need to interact with our peers.
It has been my pleasure recently to talk shop with Martin Dukes, author of the Alex Trueman Chronicles. It turns out that Martin and I have followed similar paths with our respective series: we were both away from our work for 10 years.
Coming back to a story after such a long break presents special challenges. I’m sharing our Instagram conversation here, for what it reveals about the issues involved and the concerns we both have as “long-haul authors.”
martin.dukes.wildest.dreams commented: Well done for writing four. How did this work for you? Has there been an obvious evolution in style during the series as you find your way with them? (Just going to Amazon now to get the first one ☺)
booksofwaterspell Thank you! I deeply appreciate your support and your interest. Books 1-3 of Waterspell are really the beginning, middle, and “end” of one continuous story. The new Book 4 is a coda, set five years after the events of the original trilogy. I’m not sure I would recommend that structure: A few readers have been really annoyed by Book 1’s cliffhanger ending. “Golly,” I think when a reader gets angry about it. “I’m giving you Book 1 for free, and several reviews have mentioned that it’s not a standalone, so why the outrage?” I guess I’m so accustomed to fantasy series that go on and on, it never occurred to me that readers would bristle at Book 1 ending on a cliffhanger. As to an evolution in style: I definitely became a more efficient writer. Rereading Books 1-2, I can see that they’re wordy in spots, and draggy in spots. Both would have benefited from a more ruthless paring than I gave them. By Book 3, I was writing more concisely. Partly, I imagine, because the scene had been thoroughly set (and described!) in Bks 1-2. But also because my style did evolve as I continued the saga. Many readers have commented that the series gets better as it goes. Oftentimes it’s the other way around (great first book, disappointing sequels) so I’m happy when readers say that I’ve avoided that trap, at least.
martin.dukes.wildest.dreams I’m surprised that anyone would object to your Book 1 ending on a cliff-hanger, unless it was not already apparent that this was the first in a series. From a writer’s point of view I’m sure such a device is useful in encouraging the reader to move on to Book 2 and a very normal strategy. TBF I could only see one such comment and your other reviews are universally enthusiastic. It’s constantly surprising how some reviewers will settle on one relatively trivial factor and use it as a yardstick by which to condemn the work as a whole! I’m interested to see that you recognise an improvement in your own writing style during the course of the series. I suppose sticking at it and writing them books in quick succession would help with regard to consistency. In my own series there was a gap of about 10 yrs between Books 2 and 3. I have tried very hard to keep things consistent but I’m sure readers will let me know if I haven’t! Did you likewise find that your characters matured and changed over time? (that is, assuming that some of the characters persist from book to book). For my own part, and since a central character is key to the series, I felt that there was a very real maturation as he aged with experience and as I came to know him better over time. Anyway, I wish you all the best with the series, which is evidently highly regarded and well-received.
booksofwaterspell A 10-year gap for you, too, huh. I’m working with the same: My original trilogy 2011-12, now the sequel in 2022. There’s a tension, I think, between achieving consistency but within a framework of growth, for both writer and characters. Like your main character, mine has matured, and her emotionally damaged “significant other” has (mostly) healed. One of my beta readers asked why I didn’t start Book 4 exactly where Book 3 ended (Bk 4 begins five years later). I replied that it wasn’t possible to pick up the story exactly where I’d left it. After my life took a sharp turn during those years, I wasn’t the same person who had written the original trilogy. My characters had also evolved. But I know those people and their story so well, I didn’t have as much trouble writing Book 4 as I thought I might. (Took me eight drafts, but that’s about right.) My beta reader commented: “Rereading the series, I realized your writing really hit its stride with the 3rd book. Not that there was anything wrong with the first two, but the 3rd had an ease about the writing. You’ve maintained that with this book.” I was relieved by her feedback. She confirmed that I’d achieved both some consistency and some growth, which is what a series should have, IMO. Regarding the grousing about Book 1’s cliffhanger: There’s more griping on Goodreads than on Amazon. But I served the story the best I could. If some folks dislike the structure, they have plenty of other books from which to choose!☺I’m looking forward to reading A Moment in Time. It’s up next in my TBR pile.
Making a place for yourself in a world where you don't belong takes courage. So does moving in with a warlock.
“Jane Eyre meets Beauty and the Beast. Amazing story, very original. Great series.” —Emma, Amazon UK
“Addictive epic fantasy, with drama and adventure. I binged through the books, eager to see how the story unfolds. Great book. 5 stars.” —Di, NetGalley
“An extraordinary book, four in fact! I read these over a five-day period and found the storytelling fantastic. See for yourself!” —Michelle, NetGalley
“Complicated characters, plot twists, romance, adventure, and magic — all written in a voice that immerses you in a fantasy world both foreign and familiar. Get the box set because you won’t want to leave this world.” —Beck Digs It, Amazon
“A great read that features world building with drama and magical characters. Highly recommended.” —Neil, Amazon
“I was hooked instantly. I willingly gave up sleep and could not wait to get up to read more. I’m reading the whole series, and absolutely loving it.” —Sarah, Amazon
“Captivating. I loved this series from beginning to end. Complex characters who mature through the series and unexpected plot twists kept me reading far too late into the night.” —Amy, Amazon
“Lightfoot has a sure touch with regard to characterisation. Each of her characters has their own authentic and convincing voice. Narrative, description and speech are exceptionally well-balanced.” —Martin Dukes, author of the Alex Trueman Chronicles
“A riveting series. Well written, excellent world-building with an engaging plot in each book and well-developed characters. I was gripped right from the start with twists I didn’t see and unpredictability.” —Aria, NetGalley
“I absolutely loved all four books! You kept your storyline throughout the four books brilliantly. The characters were all genuine and relatable.” —Carol, Goodreads
“In this four-book saga, the author has created an epic fantasy world full of magic, danger, romance, and travel through time and space. The characters are vivid and complex. This is a most enjoyable read for fans of fantasy and fine writing.” —Shirley, NetGalley
“I was HOOKED. I read until 3 am two nights in a row to finish this. The magic system is unique and the characters are as morally gray as they come.” —Megan, Goodreads
“Such a joy to narrate this. It didn’t feel like work. The story and characters take flight so naturally and then soar.” —Simon de Deney
“An entertaining, fast paced, and well-plotted fantasy series. The world building is fascinating, and the characters fleshed out. Highly recommended.” —Anna Maria, NetGalley
Castles in the cornfield provided the setting for Deborah J. Lightfoot’s earliest flights of fancy. On her father’s farm in Texas, she grew up reading tales of adventure and reenacting them behind ramparts of sun-drenched grain. She left the farm to earn a degree in journalism and write award-winning books of history and biography. High on her bucket list was the desire to try her hand at the genre she most admired. The result is Waterspell, a multi-layered, intricately detailed fantasy about a girl and the wizard who suspects her of being so dangerous to his world, he believes he’ll have to kill her … which troubles him, since he’s fallen in love with her. Deborah is a professional member of The Authors Guild. She lives in the country near Fort Worth, Texas.
Magic, mystery, murder, and romance. Waterspell: An intricate save-the-world fantasy adventure with complex characters, cosmic calamities, and the gothic sensibilities of Jane Eyre.
Mix environmental fantasy with magic, mystery, and a little slow-burning romance, add dystopian undercurrents, and that’s the Waterspell series—a cross-genre story with too many layers for a single label.