Category Archives: Waterspell fantasy trilogy

Blurbing Book 4 of Waterspell

Waterspell Book 4 cover detail

Waterspell Book 4 cover detail

A good day’s work. Got my errands done in town this morning, then drafted a heartfelt Author’s Note for the back of Waterspell Book 4 and tweaked the blurb into something I’m almost happy with. Thoughts are welcome. Does this give too much away?

In the House of Verek, it’s five years later. The waters are troubled. Memories are darkening. If the story is to end “happily ever after” for Carin and Verek, old demons must be laid to rest.
Readers of the Waterspell fantasy series will welcome this long-awaited fourth book for the answers it provides to questions raised in volumes 1 through 3: Does the wysard Verek regain his powers, and will Carin make her way back to him? Have Carin’s parents survived the plague that devastated their world, and will she ever see them again? Did Lanse survive the attack by Carin’s defender? Is Lord Legary really dead? And not least: Did the necromancer die in the jaws of Carin’s conjured dragon? Remember: there was no blood in the water. These questions and more are answered in Waterspell Book 4, which picks up the story of the lovers, Carin and Verek, half a decade after readers saw the pair separated in the closing chapters of the original trilogy.

By the blood of Abraxas, it’s about time we learned what happened next.

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Filed under Books and Readers, Cover Design, Magic, On Writing, Waterspell fantasy trilogy

Travel Inspires Writing

In the Before Time (pre-2020 Pandemic) I enjoyed traveling. Recently I had occasion to look through old vacation photos, and I found three that must have served as direct inspiration for pivotal elements in my Waterspell books. Their influence operated subconsciously. I didn’t have the pictures before me when I wrote their imagery into my story. When I came across the photos, however, long after the fact, I instantly recognized all that they had given me.

The Lake of the Lilies

Lily pond at Honey Creek State Natural AreaI snapped this picture at the Honey Creek State Natural Area in the Texas Hill Country, on a tour organized by the Texas Nature Conservancy. The outing was advertised as a wildflower tour, but when we got there our guide apologized for the almost complete absence of wildflowers—the deer had eaten them between the time the tour was arranged and before we arrived. I remember the beauty and wildness of the place, though. This old snapshot does not do justice to the shimmering of sunlight on the pads of the water lilies. Clearly, the vision stayed with me, and inspired the Lake of the Lilies in the woods near Verek’s manor house.

Carin’s Sanctuary Oak

Major Oak photo by Jerzy KociatkiewiczDuring a trip to England, I got to see the Major Oak in the midst of Sherwood Forest, Nottinghamshire. We soaked up the whole Robin Hood–Sherwood Forest magic of the place. I came home with a beautiful Lincoln Green scarf woven of English wool and sporting an embroidered Robin with his bow drawn. Looking at this picture of the Major Oak, I have no doubt that the tree was the subconscious inspiration for the Sanctuary Oak that saves Carin from the wasteland dogs. The above photo by Jerzy Kociatkiewicz appears at The Treeographer and shows the tree standing alone in the midst of a clearing, just as Carin’s Sanctuary stands. The branching pattern of the Major Oak’s thick limbs suggests how Carin is able to leap into her sanctuary tree to escape the dogs, and how she can sleep that night, though uncomfortably, by lashing herself to one of its thick horizontal branches.

The Mirror Pool

Towertop compass design at a Texas Hill Country state parkFour stone benches ring the well of the wysards in the cavern of enchantment deep beneath Verek’s manor house. The benches are arranged like the four cardinal points of a compass. When I came across this old vacation photo, I gasped in recognition. Look closely, and you can see the ornate E, S, and W directional markers of this stone compass that’s laid into the floor of a watchtower (or observation deck). The letter N for North barely appears at the left edge of the picture. I can’t remember exactly where I took this photo in the Texas Hill Country, but I’m inclined to think it’s either Longhorn Cavern or Inks Lake State Park in Burnet County, next to Inks Lake on the Colorado River. Seen through the lens of my writing, I easily picture the mirror pool replacing that stone mosaic in the center of the floor, with the benches set around the pool at the cardinal points, the directional letters giving way to carvings of key, crescent moon, fish, and radiant sun.

“The world is a book, and those who do not travel read only a page.” (Attributed, probably incorrectly, to St. Augustine.)

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Filed under Books and Readers, Environmentalism, Magic, On Writing, Waterspell fantasy trilogy

Time to Work Out the Plan

Waterspell tagline on sunsetFor a year, I’ve been laying the groundwork:

• New covers, first for the ebooks and now for the paperbacks
• Ongoing work on the audiobooks
• New book trailers, created via Biteable
• Reformatted Facebook author page
• Updated Amazon author page
• Updated Goodreads profile
• Lots of social media graphics newly made at Canva.com

My next steps include looking into the usefulness of these things:

• BookBub
• The Fussy Librarian
• Blog tours
• Goodreads Giveaways
• Amazon advertising
• Written Word Media
• Instagram

I know who I’ll ask for new reviews to augment the glowing reviews that Waterspell received upon the books’ initial publication. The circle I move in, these days, is much changed from the social circle that I knew before my husband’s death in 2012. Now, I number among my friends many anti-fascist activists, folks I got to know after November 2016. Most of them didn’t even know I was a many-times published author; it wasn’t what drew us together. Now, gradually, I’m revealing my past life and enlisting the support of those who are willing to help me recover something of it.

Waterspell Book 1 detail

Am I dreaming, thinking I can relaunch a 10-year-old fantasy series? Possibly. But I’m making final edits to Waterspell Book 4, preparing for a 2022 release. And the audiobooks are slowly coming together, after my wonderfully talented narrator endured a major upheaval in his own world. It took him away from the work for six months—disruptive, yes, but not as damaging to a career as was my own dark, nine-year period of grief and neglect. If nothing else goes too badly wrong, the audiobooks should be released in 2022, along with Book 4.

I’m thinking those two events could be and should be enough to spark new interest in the original trilogy. If I will get out there and promote, dammit. It’s no secret that promotion takes money, and I’m prepared to pay, within reason, for advertising. Here’s what I plan for my first sponsored Facebook post:

waterspell-fb“Perfect for fans of Kristin Cashore and Charlotte Brontë.” From award-winning author Deborah J. Lightfoot, an unforgettable epic fantasy that readers call “extraordinary, enthralling, completely unpredictable.” Think “Jane Eyre meets a sorcerer.” Coming in 2022, Book 4 of Waterspell will complete the series. Print & ebooks available. Audiobooks in progress. www.waterspell.net

Amazon advertising and BookBub being completely new to me, I’ll need to discover how they may or may not fit into the budget. But at least I’ve got a little ready cash to spend on a new promotional push. The 2020 Pandemic Year not only gave me time and opportunity to pursue audiobooks and to write Book 4, it saved me money. I went nowhere and cooked meals at home. Everything I didn’t spend on travel and restaurants is now earmarked for book promotion.

I hope to Drisha this plan of mine will get these four books in front of the readers who will most enjoy them. At this point, it’s readership I want—not fortune so much, just a tiny bit of fame to validate the years I’ve spent obsessing over this story of mine.

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Filed under Audiobooks, Books and Readers, Cover Design, Discoverability, On Writing, Waterspell fantasy trilogy, Writers

Free Graphics at Canva

Evidently the rest of the writing world learned about Canva.com long ago. I’ve only recently discovered its multitude of free and easily customized templates for Facebook posts, Instagram, postcards, and all sorts of things.

Now that I know, I’m hooked. I started out playing with their ready-made templates, and created graphics that I may or may not ever actually post on my Facebook page:

Further experimentation produced results more in keeping with my tastes and better suited to the books:

Canva’s templates gave me ideas. This one suggested a way of showcasing several reviews at once:

Finding my rhythm, I knocked out several images that I’ve stockpiled for a social-media blitz when the time comes to actively promote Waterspell Book 4 (it’s nearly finished!) and the audiobooks (after an unavoidable delay, we’re now aiming for a Spring 2022 release at Audible).

I’m thinking I can never have too many of these things pre-made and ready to post. So it’s back to Canva.com that I go. Many thanks to that wonderfully generous Aussie tech company for making so many of its templates totally free. ♥

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How Do Books Get Discovered?

“The trick isn’t to get people to read your book. The trick is to get people to hear about your book.”

So said a participant in a recent Authors Guild webinar about book marketing and promotion. The comment struck a chord, for I’ve struggled to get my books more widely noticed. The reviews they have garnered suggest fantasy fans would enjoy reading Waterspell, but too few members of my intended audience have even heard of the series.

Anticipating the release of the audiobooks (which are progressing now, after a six-month hiatus in which Life with a capital L again intervened to back-burner them), I’m trying a mix of old and new ways to reach my audience. My newest effort is through two particularly lively Facebook groups:

  • The Reading Corner Book Lounge: “A fun and friendly place for bookdragons to discuss anything and everything bookish! We have a wide variety of members worldwide who read all sorts of genres. We frequently host readathons and have several group reads every month if you choose to participate. We also host author Live interviews a few times a year.”
  • Fantasy-Faction – SFF Book Discussion: “Fantasy-Faction.com is one of the world’s largest fantasy and science fiction book communities. Each week we bring readers book reviews, author interviews, articles on the genre, up-to-date news and much, much more. Our site has proudly been nominated for the World and British Fantasy Awards and twice won the Reddit Award for Best Fantasy Website.”

Reading Corner allows authors to self-promote, within limits. Naturally they ask writers to comment and participate with the other posts, and to not join for the sole purpose of self-promotion. I’m enjoying the group immensely and find it easy to participate as simply one avid reader among thousands. Group members read everything, but fantasy is a popular genre among them. The tone is unfailingly supportive and polite. They enjoy each other’s company. I’m not yet ready to straight-out ask for group members to read and review my books, but I anticipate a positive response when I reach that point.

Fantasy Faction dragonFantasy-Faction, on the other hand (the dragon is their logo), does not allow advertising or “buy my book” posts. It’s wonderfully informative, however. I’m learning a new vocabulary for discussing the fantasy genre: terms like “grimdark” and “reactive protagonist.” One post so neatly summed up the elements of classic, epic fantasy, it gave me a kind of template for describing Waterspell’s place in that subgenre:

Waterspell fits firmly in the realm of epic fantasy (but with an environmental fantasy twist) … It’s got ancient and mysterious magic, a Hero/Heroine’s Journey (with a twist), a passage from one world to the otherworld, a (reluctant) Chosen One, and a search for belonging and redemption.

One frequent Fantasy-Faction contributor described her favorite genre tropes in terms that left me in no doubt: She would like Waterspell. Now I’m wondering if it’s cricket (honorable, acceptable, not insectoid) to message her and offer her a review copy in exchange for a fair and honest review. I have to think it over and seek advice. Mustn’t offend (or get kicked out of the group).

New Paperback Covers

Book 1 The WarlockAnother thing I’ve learned from participating in these two bookdragon groups is that fantasy fans still buy physical books! I had assumed that ebooks were more popular with my intended audience. Personally, I prefer the convenience and portability of ebooks, and I’ve gradually culled my library of physical books. When I got new ebook (and audiobook) covers made, I thought I wouldn’t bother with updating the paperback covers, too, since the Waterspell paperbacks are much more expensive than the ebooks and haven’t sold as well.

My thinking has changed, after realizing that fantasy fans are collectors as much as they are readers. They love beautiful books, they want to hold them in their hands, and they want to display them on their bookshelves. Therefore, I have returned to my cover artist, Vila Design. and placed an order for new paperback PDFs to match the ebook covers, to be uploaded at Lightning Source.

Tweaked Facebook Page

I had wondered why my books’ Facebook page didn’t look like other writers’ pages. Visitors had to scroll past layers of Facebook-imposed clutter to reach the heart of the page. Finally I dug deep into the Settings (they bury it deep) to discover I was using FB’s “Standard” page template. When I changed to the “Public Figure” template, voila! The page cleaned up nicely. Much less clutter at the top. I’m glad to discover the fix but wonder why it was so hard to find.

Author page screenshot new template

And so I press on, trying this and that, seeking a wider audience for my work … convinced, at the end of the day, that nothing really succeeds except word-of-mouth. Personal recommendations are gold.

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“Literary Fantasy” Defined

Book 1 The WarlockThis is the best definition of “literary fantasy” I’ve come across. The definer, Emily Temple, also lists and briefly describes recommended books in the genre. Of course, I must add the Waterspell series to the list, as it closely fits her definition:

“For the purposes of this list, I am using it [the term ‘literary fantasy’] to mean works of fantasy that prioritize sentence-level craft and/or complex thematic structures, and/or that play with expectations and fantasy tropes, and/or that focus on characters and interiority as primary goals of the work. I don’t just mean ‘well-written fantasy’ or ‘literary novels that have magic in them,’ though both kinds of books can be found here. What I mean is books that relate to and pull from the conventions of both genres: fantasy and literary fiction. This means there might be dragons, and there might be a hero’s journey, and there might be some lyrical descriptions, and there might be some family conflict. There is also some crossover with SF and literary SF, of course.”
—Emily Temple

Find Temple’s list on Literary Hub at “10 Works of Literary Fantasy You Should Read.”

 

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Notes from a ConQuesT 52 Foodie

close up photo of sliced bread on oval wooden plate

Photo by Marta Dzedyshko on Pexels.com

I spent much of the 2021 Memorial Day weekend attending (virtually) ConQuesT 52, the annual SF and fantasy convention presented by the Kansas City Science Fiction and Fantasy Society. The many interesting panel discussions included Neurodiversity in Star Trek; Trials and Tribulations of Running an Interstellar Space Station; Being Creative in 2020: Building Community, Visibility, and Audience in a Virtual World; and my personal favorite, “Food in Fantasy.”

That one got me thinking about the many ways in which food comes to the fore in Waterspell, starting with Carin’s near-starvation on her long journey as she’s forced to beg or steal what food she can, but survives mostly on the rabbits she kills and the roots and berries she forages. Then the housekeeper Myra enters Carin’s life, feeding her better than she’s eaten in years. In Myra’s kitchen, around the trestle table, we learn much about the resident warlock and his small household.

Finding, cooking, and eating food provide endless opportunities for character development and story progression. Seeing the warlock throw down a glass of something alcoholic during tense moments, or when he needs time to think, gives us a glimpse of the inner man. Watching the characters gather for a meal, listening to their dinner-table talk, we catch the nuances in their phrasing and read meaning in their pauses. I’m hard-pressed to imagine how the story could have developed without meal breaks providing opportunities for the characters to reveal their hidden sides and crack open one other’s emotional shells from time to time.

Foods and beverages also lend themselves to writing that touches all the senses. Not only “How does it taste?” (tart, sweet, salty, bitter … ) or “How does it smell?” (spicy, burnt, savory, fruity, gamy … ) but “How does it feel in the mouth?” Is it crunchy or creamy, chewy or tender, slimy, sparkling, wet, dry, or maybe still moving? What does it sound like as it cooks over an open fire? Is the pot bubbling, the meat sizzling? What does it look like? Colorful fruits and vegetables, pastries, breads and sauces? Brown gravies and browner meats? Or does the food look as gray as a dungeon’s walls, or as green as a cup of poison? When writing about food, a writer can pull out all the descriptive stops, for it’s a sure bet that food has significance for every reader.

The ConQuesT panelists discussed the close ties between food and culture: how rice may call to mind one cultural tradition, for instance, while potatoes evoke another, and haggis another. The work of Brian Hayden was mentioned, particularly his book The Power of Feasts, which explores the practice of feasting from prehistoric to modern times, revealing patterns and links to other aspects of culture such as food, personal identity, power, and politics.

Speaking of personal identity, the panelists commented on the ways in which foods and beverages can become character hooks: Star Trek’s Captain Picard likes “Tea. Earl Gray. Hot.” Counselor Deanna Troi craves chocolate. My own Waterspell warlock drinks dhera, occasionally to excess.

I enjoyed this year’s virtual ConQuesT and appreciated the chance to attend the panel discussions without needing to travel to KC. To learn more about ConQuesT—Kansas City’s original Science Fiction Convention held annually on Memorial Day Weekend—and the convention’s sponsor, Kansas City Science Fiction and Fantasy Society, please visit their website. Scroll to the bottom of the page to sign up for their email list. I signed up and look forward to getting more involved. Maybe next year, I’ll be in KC on Memorial Day.

 

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Christopher Plummer Narrates Alice in Wonderland

A friend who is active in the Lewis Carroll Society of North America honored the memory of the late Christopher Plummer by recommending his masterful narration of Alice’s Adventures in Wonderland and Through the Looking Glass. I’m very glad she did!

Plummer’s narration is brilliant. He gives each character a fresh new voice and brings out each personality to perfection. Even as well as I know the story, he had me laughing out loud. Listening to his performance (and it IS a performance, not merely a reading) is an entirely different (and better) experience than reading the books.

Given the ways in which my own Waterspell fantasy novels connect with the Alice books, I am particularly delighted to discover the Plummer narration and to recommend it to anyone who loves a good story well told. You’ll enjoy listening to a consummate professional lend his remarkable talents to Alice in Wonderland.

By the way, I couldn’t find the Plummer narration at Audible. I downloaded my copy from Barnes & Noble Nook Audiobooks.

 

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Singing the Social Media Blues

Waterspell on Goodreads


Was there ever an attempt at “social media” that turned out more difficult to use or clunkier than Goodreads? I set up an author profile at Goodreads years ago, but soon abandoned it because it’s so maddeningly difficult to beat into submission. Every update requires multiple attempts to make the edits “stick.” I thought I never WOULD manage to upload the new Waterspell covers and force the interface to show those as the default covers.

I wonder how useful Goodreads actually is to authors like me, who are trying every way we can to reach a wider audience. Cutting through the static is enormously difficult.

With new audiobook editions of my fantasy novels in the works, however, I’m once again struggling with such things as a Facebook page. “Clunky” isn’t a strong enough word for THAT particular platform—it’s dang near impossible to use, and Facebook’s algorithms ensure that few people will see it. I’ve now done my utmost to update my author profile at Goodreads. I’m trying to do something with LinkedIn, though I’m not sure it’s particularly suited to my needs. I’m not looking for a job. Twitter? Yech. I quit Twitter years ago and have no intention of going back.

What’s next? Instagram? A YouTube channel? Are any of them worth the effort they require? Are they worth the time they take away from writing and editing? I don’t know.

What I do know is that word-of-mouth is the only truly effective way of spreading the word about books that are worth reading. Fingers crossed that the soon-to-be-released audiobooks will catch on, the forthcoming fourth book will get some attention, and Waterspell will finally reach its intended audience. Given the glowing-ness of the reviews the trilogy got, I live in hope that more of my potential readers will find my work. I know they’re out there.

My eternal gratitude to everyone who has read the trilogy and left reviews at Amazon, Goodreads, and book blogs. I love you all, dear readers.

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Touching the Senses: Smell

“Researchers plan library of scents from plague repellents to early tobacco”

In the works: an online encyclopedia of European odors between the 16th and early 20th centuries. What a fabulous resource this will be for writers needing to describe the smell of (for instance) a sorcerer’s library filled with musty old books, or a chatterbag housekeeper’s richly scented kitchen.

“Once you start looking at printed texts published in Europe since 1500 you will find loads of references to smell, from religious scents – like the smell of incense – through to things like tobacco,” said Dr. William Tullett of Anglia Ruskin University in Cambridge, a member of the Odeuropa team and the author of Smell in Eighteenth-Century England.

The first step in the three-year project, which is due to begin in January, will be to develop artificial intelligence to screen historical texts in seven languages for descriptions of odours – and their context – as well as to spot aromatic items within images, such as paintings.

That information will be used to develop an online encyclopaedia of European smells  …

See the full article in The Guardian at https://www.theguardian.com/science/2020/nov/17/scents-of-history-study-hopes-to-recreate-smells-of-old-europe

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