Unpacking a shipment of your own new book is a thrill like no other! I’ve had the pleasure of opening a box of my latest, Waterspell Book 4: The Witch, which is now available in print (paperback) and all ebook formats. It looks great, IMO. But I’m biased. Now it’s a waiting game, putting me on pins and needles as I look for the first reviews to come in. I’m sure I could have done more, I could have sent out more Advance Reader Copies, I could have spent more on ads and promotion. But the reality, I know, is that readers won’t care about Book 4 unless they have read and enjoyed the original trilogy.
My promotional efforts, therefore, remain focused on Book 1: The Warlock. It’s featured today, February 18, by BookRaid (with which I’ve enjoyed success previously); and on Saturday, Feb. 19, Bookorium (new to me) promotes it. After that, I intend to run only one ad each month, alternating between BookRaid and The Fussy Librarian (adding Bookorium into the mix, if that one proves successful).
The greater part of my attention must now turn to the two boxed sets: Ebook and audiobook. With Book 4 releasing (singly) in February, does it make sense to release the boxed set of ebooks in April? Is that too soon? Will that schedule give me time to promote the set? Research is needed, along with serious thought. The later in the year, the fewer the months during which the boxed set will carry the 2022 copyright date. With so much emphasis on “new releases,” keeping that 2022 date as fresh as possible, for as long as possible, seems to argue for publishing the boxed ebook set ASAP.
Then there’s the boxed set of audiobooks. Will it be most likely to find an audience during the summer months? Should it be released in May, hard on the heels of the companion ebook set? I think that might be best. But again, I should research and find out when audiobooks sell most strongly: spring, summer, fall, or winter.
Also washing around in the back of my mind are the words of my experienced beta reader, and the suggestions of my audio narrator. Both of them are telling me that I should write more books (or at least novellas) set in the world(s) of Waterspell. Hmm. Should I? Can I?
I think my spring, summer, and winter of 2022 will be busy.
Once upon a time I belonged to an in-person writing critique group. The group gave me valuable advice, and I benefited from participation in it. But times changed, and our lives changed, and the group drifted apart, gradually breaking up, or reformulating itself with new members in a different meeting location. I ceased to participate.
These days, I get feedback via email and text messages from my beta readers and reviewers. I also try to engage with other writers on Goodreads and Instagram. Writing is a lonely profession, but it’s not good to work in too much of a vacuum. Even the most introverted among us need to interact with our peers.
It has been my pleasure recently to talk shop with Martin Dukes, author of the Alex Trueman Chronicles. It turns out that Martin and I have followed similar paths with our respective series: we were both away from our work for 10 years.
Coming back to a story after such a long break presents special challenges. I’m sharing our Instagram conversation here, for what it reveals about the issues involved and the concerns we both have as “long-haul authors.”
martin.dukes.wildest.dreams commented: Well done for writing four. How did this work for you? Has there been an obvious evolution in style during the series as you find your way with them? (Just going to Amazon now to get the first one ☺)
booksofwaterspell Thank you! I deeply appreciate your support and your interest. Books 1-3 of Waterspell are really the beginning, middle, and “end” of one continuous story. The new Book 4 is a coda, set five years after the events of the original trilogy. I’m not sure I would recommend that structure: A few readers have been really annoyed by Book 1’s cliffhanger ending. “Golly,” I think when a reader gets angry about it. “I’m giving you Book 1 for free, and several reviews have mentioned that it’s not a standalone, so why the outrage?” I guess I’m so accustomed to fantasy series that go on and on, it never occurred to me that readers would bristle at Book 1 ending on a cliffhanger. As to an evolution in style: I definitely became a more efficient writer. Rereading Books 1-2, I can see that they’re wordy in spots, and draggy in spots. Both would have benefited from a more ruthless paring than I gave them. By Book 3, I was writing more concisely. Partly, I imagine, because the scene had been thoroughly set (and described!) in Bks 1-2. But also because my style did evolve as I continued the saga. Many readers have commented that the series gets better as it goes. Oftentimes it’s the other way around (great first book, disappointing sequels) so I’m happy when readers say that I’ve avoided that trap, at least.
martin.dukes.wildest.dreams I’m surprised that anyone would object to your Book 1 ending on a cliff-hanger, unless it was not already apparent that this was the first in a series. From a writer’s point of view I’m sure such a device is useful in encouraging the reader to move on to Book 2 and a very normal strategy. TBF I could only see one such comment and your other reviews are universally enthusiastic. It’s constantly surprising how some reviewers will settle on one relatively trivial factor and use it as a yardstick by which to condemn the work as a whole! I’m interested to see that you recognise an improvement in your own writing style during the course of the series. I suppose sticking at it and writing them books in quick succession would help with regard to consistency. In my own series there was a gap of about 10 yrs between Books 2 and 3. I have tried very hard to keep things consistent but I’m sure readers will let me know if I haven’t! Did you likewise find that your characters matured and changed over time? (that is, assuming that some of the characters persist from book to book). For my own part, and since a central character is key to the series, I felt that there was a very real maturation as he aged with experience and as I came to know him better over time. Anyway, I wish you all the best with the series, which is evidently highly regarded and well-received.
booksofwaterspell A 10-year gap for you, too, huh. I’m working with the same: My original trilogy 2011-12, now the sequel in 2022. There’s a tension, I think, between achieving consistency but within a framework of growth, for both writer and characters. Like your main character, mine has matured, and her emotionally damaged “significant other” has (mostly) healed. One of my beta readers asked why I didn’t start Book 4 exactly where Book 3 ended (Bk 4 begins five years later). I replied that it wasn’t possible to pick up the story exactly where I’d left it. After my life took a sharp turn during those years, I wasn’t the same person who had written the original trilogy. My characters had also evolved. But I know those people and their story so well, I didn’t have as much trouble writing Book 4 as I thought I might. (Took me eight drafts, but that’s about right.) My beta reader commented: “Rereading the series, I realized your writing really hit its stride with the 3rd book. Not that there was anything wrong with the first two, but the 3rd had an ease about the writing. You’ve maintained that with this book.” I was relieved by her feedback. She confirmed that I’d achieved both some consistency and some growth, which is what a series should have, IMO. Regarding the grousing about Book 1’s cliffhanger: There’s more griping on Goodreads than on Amazon. But I served the story the best I could. If some folks dislike the structure, they have plenty of other books from which to choose!☺I’m looking forward to reading A Moment in Time. It’s up next in my TBR pile.
“It’s constantly surprising how some reviewers will settle on one relatively trivial factor and use it as a yardstick by which to condemn the work as a whole!” —Martin Dukes, author
I just got word that Waterspell Book 1: The Warlock was chosen as one of the best books of the month for December on Manybooks.net. And I’ve been notified that Book 4: The Witch made the “hot list” of the most anticipated upcoming new releases at Kobo.
Can it really be true? After planning this, for so long?
Waterspell Book 4: The Witch releases on February 18 in print, and in all ebook formats. It’s up everywhere, available now for pre-order from nearly any bookseller.
After a frantic two weeks in early January, setting up Book 4 for pre-release, then updating each ebook in the original trilogy to reference Book 4, and also refreshing the print editions of each book to ensure consistency across the Waterspell universe, I feel like I’ve been running a months-long marathon that, at the end, turned into a sprint. And the sprint ended as abruptly as if the finish line materialized out of thin air: one minute, I couldn’t even see it; the next second, I had crossed it. Every item on The Plan was checked off. I was done.
With Book 4, anyway.
Next Up: The Complete Series
As in: both boxed set(s):
Next will come the boxed ebook set. I’m thinking an April release for this, supported (perhaps) by a Goodreads Giveaway and a $50 NetGalley listing. Perhaps also with a Written Word Media promotion, although they are pricey.
Then, after the boxed ebook set is published everywhere and (hopefully) attracting notice, I can give my full attention to the boxed audiobook set.
Audio work is well under way, with the complete series now in the capable hands of an experienced, professional narrator. I’m delighted with his ongoing progress on what will be a 50-finished-hour project.
Looking into my immediate future, I feel almost relaxed. The sprint is over. The marathon continues, because marketing is an endless marathon. But compared with the frantic pace of the past few weeks and months, releasing and promoting the two boxed sets in Spring 2022 will be a leisurely stroll along an otherworldly shoreline. A stroll I’ll be happy to take … and happy to finally finish.
Intense! The first four days of January 2022 were intense. I’ve been glued to the computer, shepherding Waterspell Book 4: The Witch into the catalogs of every major bookseller, and several less-famous stores, too.
It’s been extremely gratifying, seeing the book appear in store after store. There’s now a Universal Book Link (UBL) that takes readers to their preferred bookseller. Book 4 has a page at Goodreads now, too.
What’s next? I still need to flesh out the book’s detailed listing at Amazon, as soon as Author Central will let me. And I’m waiting on the printers to send me a proof of the paperback edition.
Once the Book 4 paperback is proofed and ready to print, I’ll begin the process of updating each of the earlier paperbacks with a repaginated interior. Printing and shipping costs being so high these days, I took the opportunity to make a handful of minor text edits to the existing paperbacks, while also repaginating them to slightly reduce the page count of each. It may not make a great difference in printing/shipping expenses, but the end-of-line hyphenation definitely looks better in the repaginated editions.
Also in the near future, I’ll be scheduling a new promotion at BookRaid. I’ve already got a one-day ad scheduled for The Fussy Librarian, for January 18.
Happily, though, Waterspell Book 1: The Warlock continues to rank quite high in its category at Amazon: #49 in Fantasy Adventure Fiction, #82 in Epic Fantasy, and #85 in Sword & Sorcery Fantasy. It’s building momentum, which I hope will carry readers through the entire series, drawing them in due course into the finale, Waterspell Book 4: The Witch.
Now, I think I’ve earned myself a nap. Followed by an online grocery-shop. I’ve been too busy to bother with mundane things like trips to the supermarket or the post office or the gas station. Book publishing takes tremendous amounts of time and effort! #ifyouknowyouknow
It’s nearly January! I’m champing at the bit, ready to start the New Year with my long list of new publishings and refreshed publishings:
1. NEW Waterspell Book 4, both ebook and print, becoming available for pre-orders in January. 2. REFRESHED Books 1-3, ebook and print editions, going up at Amazon, Google, Smashwords, Lightning Source, etc. 3. NEW Complete Series Boxed Set, Waterspell Books 1-4, available for pre-orders in March, I think. 4. NEW Complete Series Audiobook Boxed Set, to be published in Spring 2022.
If I was better at social media, I would know just how to tease the new Book 4 with a tantalizing and intriguing Cover Reveal. Even without that, though, I’m pretty pleased with the success of my marketing efforts for the series-starter, Book 1: The Warlock. It has made it onto an Amazon Best Seller list.
To feed my need to be doing something ahead of January, which will be a flurry of publishing activity, I’m using this week to make my lists and check them twice, ensuring that every file and graphic is in readiness for January 1. I seriously doubt I can wait any longer than that, to get Book 4 out there and then begin the painstaking process of refreshing the Original Trilogy, in every edition and format. I’m committed to publishing wide, but it does take organization and forethought to ensure completeness and consistency across multiple publishing platforms, booksellers, and databases:
Two months? Have I messed up the countdown? In November, you may recall, I was Four Months Out.
The fact is, things are going so well, I’ve moved up the release date by a full month. Waterspell Book 4 will be available for pre-orders not later than January 18, with the book to be officially released on February 18. Hallelujah!
One reason for the accelerated plan is that Waterspell Book 1: The Warlock has hit the Amazon bestseller lists! All of my promotional efforts have paid off. My inexpensive promotions at Bookraid, ManyBooks, and especially The Fussy Librarian have produced the following results:
The short little lines at the bottom of the above graph were the products of my ongoing advertising via BookBub, before I wised up and quit wasting my promotional dollars there. I have found BookBub to be overrated and WAY overpriced. Clicks there were costing me about 60 cents, whereas the cost-per-click ranges from under a penny to about 3 cents, max, at the other sites.
Ranked in order of their cost-effectiveness, based on my results:
BookRaid
The Fussy Librarian
ManyBooks
BookBub is totally off my list now. I won’t bother with them again. Nor will I continue with Story Origin, which has also proven to be ineffective, for me anyway. Some people may have the time and interest to work through the complexities of Story Origin’s interface, but I think my time is better spent elsewhere. I’ll fulfill my obligation to support the December 2021 “Passing Through Portals” promotion sponsored by Story Origin, but I won’t continue with a $10 monthly account there.
That’s my monthly promotional report, shared for the benefit of any authors who might profit from my personal experiences with paid book advertising. Ads in selected (and selective) newsletters are working for me.
Social media? Not so much. My friends give me wonderful support at my personal Facebook profile, but my efforts to “go viral” via my public accounts (Bookstagram and Facebook author page) are generating only modest interest. As is this blog. But I have things to say, so I’ll keep posting!
Many thanks to all of the readers who have downloaded Waterspell Book 1: The Warlock, vaulting it onto the Amazon bestsellers lists! I am deeply grateful to you. ♥
First, let’s define it: A portal fantasy is a story about a character who gets transported (perhaps voluntarily, perhaps not) into a fantastic or alternate world. They pass through a portal of some kind (a wardrobe? a tunnel? an interdimensional hole?) and find themselves in a reality that’s different from the world they left behind.
“As anyone who reads science fiction and fantasy can tell you, life is full of doors … appearing unexpectedly, leading to unexpected places. Other worlds, other times. Narnia. An alien planet. The Bronze Age.” James Davis Nicoll
During December, you’re invited to explore a couple of dozen portals and doorways, via “Passing Through Portals,” a month-long promotion sponsored by StoryOrigin and 20 or so participating authors, myself among them.
You can pick up a free review copy of Waterspell Book 1: The Warlock. And while you’re there, please check out all the other titles, also free to download and read, in exchange for honest reviews.
Enjoy your otherworldly travels!
Comments Off on Passing Through Portals: Fantasy Review Copies for Readers
The past 30 days have been highly productive and educational. I now have a much better idea, and a better plan, for spreading the word about the original Waterspell trilogy as well as the forthcoming Book 4 (and the forthcoming boxed set). My promotional efforts are paying off, and I’m learning what works and what doesn’t.
Today, November 18, with the official launch of Waterspell Book 4 just four months away (it should be available for pre-orders in only two months, on January 18), I’ll try to summarize what I’ve I learned.
BookBub vs. BookRaid
Hands down, BookRaid.com is better! I’ve found that BookBub is overrated and overpriced. Comparing my continuously-running BookBub ads with my one-day BookRaid ad:
• BookBub got 273 clicks at a cost of $160 = $0.58 per click • BookRaid got 715 clicks at a cost of $62 = $0.086 per click
That’s right: A one-dayBookRaid ad attracted nearly three times as many clicks, and cost me less than 9 cents per click. BookRaid advertising maxes out at $60. No matter how many clicks an ad gets, the advertiser will not be charged more than $60. It’s a Canadian company, and my credit card charged me $1.80 foreign transaction fee, so the actual, final cost came to $61.80. Divided by 715 clicks, however, that’s less than 9 cents per click, compared to the nearly 60 cents per click (!) at BookBub. What a bargain BookRaid is!
Particularly in light of the great results. My BookBub ads had been running almost continuously for weeks, and they were barely moving the needle at Amazon. In fact, almost no Amazon (Kindle) customers were even clicking on my BookBub ads; those ads mostly attracted Google Books and Apple-Canada readers. (I love my Google Books and Apple-Canada readers! Don’t get me wrong. It’s just that Amazon rankings count for so much in the crazy world of publishing.)
#147 Fantasy Adventure #289 Sword & Sorcery #305 Epic Fantasy
But then on November 7, following my one-day BookRaid ad, my Amazon rankings were:
#446 overall #4 Fantasy Adventure #8 Coming of Age #8 Sword & Sorcery
The numbers also improved at Barnes & Noble: from 124,953 before BookRaid, to 71,283 after.
ManyBooks and Fussy Librarian
Pleased though I was with those numbers, I wasn’t done experimenting. I scheduled ads for the very next Saturday, November 13, benefiting from discounted prices at both The Fussy Librarian ($39, regularly $49) and ManyBooks.net ($19, regularly $29). With those promotions running simultaneously, I can’t say which was the most effective, but together they brought me great results. That Saturday morning, Book 1 was ranked #3256 at Amazon: #26 Fantasy Adventure, #51 Sword & Sorcery, #52 Epic Fantasy.
That day and the next, those numbers climbed:
Sales rank on November 13 (left, with ManyBooks and Fussy Librarian promotions running), and on November 14, the morning after those promotions.
My conclusion? Stop wasting money on ineffective, overpriced BookBub ads, and direct my promotional dollars instead to the lovely folks at BookRaid, ManyBooks, and Fussy Librarian.
Goodreads and Other Social Media
After taking Alessandra Torre’s free Goodreads webinar, I’ve got a somewhat higher opinion of Goodreads. I’ve tried to implement Alessandra’s great advice about interacting effectively and efficiently on that platform. Some of her advice is:
• Leave reviews for books you love (those you can honestly 5-star) • Like/comment on other reader reviews of those same books • Mark your current read as “Reading” • Leave your own review of your own books (no star rating, just your comments) • Like/comment on the 5-star reviews that readers have given you • Share a Goodreads review on your other social media
After doing these things, I’ve definitely seen more engagement with readers at Goodreads. To my absolute delight, several new readers have gifted me 5-star reviews there. These are the first new interactions I’ve had at Goodreads in ages. My effective promotion (via BookRaid, Many Books, and Fussy Librarian), combined with my more enthusiastic Goodreads participation, seems to be attracting new supporters to my cause. I’m deeply grateful. ♥
These 5-star ratings appeared at Goodreads after my November 6 BookRaid ad and my November 13 promotions at ManyBooks and The Fussy Librarian.
These new 5-star ratings have raised my overall numbers at Goodreads to 3.97. Alessandra Torre said the average rating there is 3.5 stars, so I’m feeling good about being “above average.” ↑ Goodreads has a reputation as troll central: too often, there seems to be more emphasis on savaging a writer than on appreciating the time and effort it takes to write a book. With Alessandra’s blessing, I’ll try harder to boost and appreciate the work of my colleagues, to share the love in this crazy publishing free-for-all.
As for my other social-media efforts:
Instagram is working well. I’m connecting with readers and authors there. So far it hasn’t brought me any new reviews (that I know of), but I enjoy interacting with Bookstagrammers.
My Facebook author page isn’t worth the space it occupies. Hardly anybody sees it.
My personal Facebook profile is reserved mostly for my private life, but when I get good book news, I’m thrilled to share it with my friends and feel their love.
The Facebook groups in which I’ve been active are getting less of my time now. They’re either not focused enough on my genre, or they’re actively hostile to authors’ promotional efforts. The latter has surprised me.
What’s Next?
All that I’ve learned this past month has helped me refocus my efforts. It dawned on me that, instead of spending my entire marketing budget on individual Book 1 and Book 4 promotions, I should instead plan to vigorously promote the next big thing on my to-do list, which is the boxed set of the complete Waterspell series.
With that future marketing in mind, I’m taking a break from paid advertising for the next six weeks or so. Gonna save my money for a big push in early 2022—especially now that I know what works to move the needle at Amazon.
Book 1 Amazon rank 18 Nov 2021
Even today, five days after my dual ManyBooks/Fussy Librarian promotion, Waterspell Book 1: The Warlock is well ranked at Amazon. And now it’s got 39 ratings: one more than yesterday. People are finding it and reading it! I am feeling much encouraged. It may indeed be possible to relaunch this series, after Life with a capital L sidelined me for too many years.
“An extraordinary book, four in fact! I read these over a five-day period and found the storytelling fantastic. See for yourself!” —Michelle, NetGalley
“Such a joy to narrate this. It didn’t feel like work. The story and characters take flight so naturally and then soar.” —Simon de Deney
“Complicated characters, plot twists, romance, adventure, and magic — all written in a voice that immerses you in a fantasy world both foreign and familiar. Get the box set because you won’t want to leave this world.” —Beck Digs It, Amazon
“Addictive epic fantasy, with drama and adventure. I binged through the books, eager to see how the story unfolds. Great book. 5 stars.” —Di, NetGalley
“In this four-book saga, the author has created an epic fantasy world full of magic, danger, romance, and travel through time and space. The characters are vivid and complex. This is a most enjoyable read for fans of fantasy and fine writing.” —Shirley, NetGalley
“A great read that features world building with drama and magical characters. Highly recommended.” —Neil, Amazon
“An entertaining, fast paced, and well-plotted fantasy series. The world building is fascinating, and the characters fleshed out. Highly recommended.” —Anna Maria, NetGalley
“Lightfoot has a sure touch with regard to characterisation. Each of her characters has their own authentic and convincing voice. Narrative, description and speech are exceptionally well-balanced.” —Martin Dukes, author of the Alex Trueman Chronicles
“I was HOOKED. I read until 3 am two nights in a row to finish this. The magic system is unique and the characters are as morally gray as they come.” —Megan, Goodreads
“A riveting series. Well written, excellent world-building with an engaging plot in each book and well-developed characters. I was gripped right from the start with twists I didn’t see and unpredictability.” —Aria, NetGalley
“I was hooked instantly. I willingly gave up sleep and could not wait to get up to read more. I’m reading the whole series, and absolutely loving it.” —Sarah, Amazon
“Jane Eyre meets Beauty and the Beast. Amazing story, very original. Great series.” —Emma, Amazon UK
“A must-read for fantasy enthusiasts who enjoy immersive world-building, well-developed characters, and a storyline that seamlessly blends magic and human emotion.” —Dalton, NetGalley
“Captivating. I loved this series from beginning to end. Complex characters who mature through the series and unexpected plot twists kept me reading far too late into the night.” —Amy, Amazon
“I absolutely loved all four books! You kept your storyline throughout the four books brilliantly. The characters were all genuine and relatable.” —Carol, Goodreads
You won’t want to leave this world.
Castles in the cornfield provided the setting for Deborah J. Lightfoot’s earliest flights of fancy. On her father’s farm in Texas, she grew up reading tales of adventure and reenacting them behind ramparts of sun-drenched grain. She left the farm to earn a degree in journalism and write award-winning books of history and biography. High on her bucket list was the desire to try her hand at the genre she most admired. The result is Waterspell, a multi-layered, intricately detailed fantasy about a girl and the wizard who suspects her of being so dangerous to his world, he believes he’ll have to kill her … which troubles him, since he’s fallen in love with her. Deborah is a professional member of The Authors Guild. She lives in the country near Fort Worth, Texas.
Magic, mystery, murder, and romance. Waterspell: An intricate save-the-world fantasy adventure with complex characters, cosmic calamities, and the gothic sensibilities of Jane Eyre.
Mix environmental fantasy with magic, mystery, and a little slow-burning romance, add dystopian undercurrents, and that’s the Waterspell series—a cross-genre story with too many layers for a single label.
The greater part of my attention must now turn to the two boxed sets: Ebook and audiobook. With Book 4 releasing (singly) in February, does it make sense to release the boxed set of ebooks in April? Is that too soon? Will that schedule give me time to promote the set? Research is needed, along with serious thought. The later in the year, the fewer the months during which the boxed set will carry the 2022 copyright date. With so much emphasis on “new releases,” keeping that 2022 date as fresh as possible, for as long as possible, seems to argue for publishing the boxed ebook set ASAP.
